This book used to be titled "The Noiseless Tenor", but in this newer edition it has been retitled and given a few extra editorial words. This is a wide-ranging survey of references to the bicycle in mostly-20th-Century works; sometimes the reference is a stretch and Starrs points this fact out. Occasionally he has to piece together fragments of a scene to make the bicycling reference clear. Starrs' piecework is always in italic type -- and occasionally I wondered if he'd ever get to the author's words. But this collection is well-done, and Starrs obviously loves everything to do with the bicycle. His children show up occasionally (mostly in the form of recollections from a cross-country tour while they were growing up), and his own experience influenced the selection. Everything from Ernest Hemingway's flat observational prose to a truly fantastical five-rider cross-country race (against a locomotive) is fair game here, and this book suits its stated purpose of being a volume that can be stashed in the thinking cycle tourist's pannier.
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