The Art of Blessing the Day

by Marge Piercy

Book Overview

A prize-winning collection of old and new poems that celebrate the Jewish experience, about which the poet Lyn Lifshin writes: "An exquisite book. The whole collection is strong, passionate, and poignant, but the mother and daughter poems, fierce and emotional, with their intense ambivalence, pain and joy, themes of separation and reconnecting, are among the very strongest about that difficult relationship."

Lifshin continues, "These...

• Format: Paperback
• Language: English
• ISBN: 0375704310
• ISBN13: 9780375704314
• Release Date: September 2000
• Publisher: Knopf Publishing Group
• Length: 192 Pages
• Weight: 0.55 lbs.
• Dimensions: 0.6" x 5.5" x 8.3"

Customer Reviews

Treasures

Marge Piercy's poems are all treasures, many people know that. Here though are particular, specific treasures that relate to her Judaism. Especially poignant and full. Easiest though, and most precious to me, are the ones available to each of us for our own siddur of our creation. Her Nishmat is, itself alone, priceless. For instance. Unique and invaluable!

It takes skill, practice and our attention

Marge Piercy's poems are made of the substance and stuff of life. The taste of a fresh peach, the joy of picking the first garden tomato, become sources and places of contact with the mystery of creation and the Creator! However,it takes a disciplined eye that has time to pay attention to the detail of ordinary daily events to see something eternally extraordinary. !!Piercy's has the eyes to see , the mind to imagine and the skill to tell us where, and how to look!

"The Discipline of Blessings"

Among the many blessings to be found in American literature and poetry are the works of American-Jewish writers. Jewish-American poets have been celebrated in two recent anthologies: Telling and Remembring edited by Rubin and Jewish-American Poetry edited by Barron and Sellinger. Ever since Emma Lazarus, writing in the late 19th Century, the poetry written by American Jewish women have played a large part in this literature.Marge Piercy may well be the best of the Jewish-American poets writing today. Her work is featured prominently in both the Rubin and the Barron and Sellinger anthologies with the latter collection including an essay as well. Both anthologies draw heavily from Ms. Piercy's "The Art of Blessing the Day" which prompted me to explore the entire volume.The book as written, the dedication states, "for all who may find here poems that speak to their identity, their history, their desire for ritual -- ritual that may work for them". The collection is, indeed, specifically Jewish but its themes transcend any particular religious commitment and reach out to those who seek themselves in a spiritual path. The broad theme of the book is announced in the title poem (from which I have taken the title of this review) as "to taste/each moment, the bitter, the sour, the sweet/ and the salty, and be glad for what does not hurt." Again "Bless whatever you can/with eyes and hands and tongue. If you/can't bless it, get ready to make it new."I was struck by the unity of the collection. Unlike most books of poetry where the reader may pick and choose among poems, this collection is best read as an integral whole from beginning to end. The unity of the collection is particularly impressive because many of the poems had been published earlier in a variety of places.The book is divided into six sections with themes running cross-currently. The opening section, "Family" describes the poets difficult relationship with her mother and her loving relationship with her old-world grandmother. The section on her marriage was for me the most beautiful of the book with its celebration of erotic, physical and spiritual love. My favorite poem in the third section, "repair of the world" is the poem "to be of use" which celebrates the value of the world of work. (too infrequently praised). The next section is titled "Of history and Interpretation", explores women's issues and the Holocaust, as seen from the eyes of an American, among other themes. The final two sections "Prayer" and "The Year" are based respectively on the daily liturgy used in Judaism and on the yearly cycle of the Jewish holidays including the New Year, the Day of Atonement and Passover. Her versions of the traditional prayers I found insightful and eloquent.Ms Piercy writes beautifully, with elegance and understatement. Her poetry, with its reflections on the past and on nature and on her surroundings is informed by love rather than anger and by an effort to understand. It is a

A true surprising gem!

Since there are already some long reviews of this book, I will just make one specific comment. On reading about the book, a person could get the idea that these are poems for Jews & Jews alone. The publisher leads one to think that. However, even though the poems are thoroughly Jewish, they can be enjoyed by people of any religious background, including athiests such as myself. Marge Piercy transends the genre her publisher tries to confine her in, being a brilliant poet of incredible depth & talent.

In Praise of the Passion and Beauty in "The Art of..."

I've just finished reading "The Art Of Blessing The Day" for the third time, and every time I read it, I discover something new. There is so much depth and so many levels of meaning that each reading seems like the first for me. It's such a rich, marvelous collection that it's almost impossible to convey how much it affected me. She composed it like a piece of music. Each section has its theme, and moves from poem to poem with so much variation and skill. There's a gorgeous rhythm to her work and the harmonies are equally beautiful. Her voice is like an instrument creating vocative music...elegiac...celebratory...even though pain surfaces from time to time. It's okay! It belongs! She has awakened in me so many memories, and in reliving them through her art, I arrive at new insights, new understandings. The poem about her mother refusing to wear her gifts really struck a chord. When my mother died, I returned home and together with my sisters went through all her stuff systematically, and we simply wept when we saw every gift we had ever given her over the years was wrapped in tissue paper and had never been worn. We could almost hear her voice saying "Es eez tzu goot far mihr" "It's too good for me. I am unworthy". That is a terrible weapon wielded by our mothers.You can't give them anything...but that's an old story and she tells it so well. To return to the music in Piercy's poetry: she begins with a fanfare "The Art of Blessing...."and I know what's coming but she continues to astonish me with the variety of rhythms, the way one poem flows subtly and skillfully into the next. She moves from lyric passages to sophisticated tempos, witty interludes, a few jazz riffs, and the tension and tone doesn't allow me to sit back and relax because even in the quieter poems there is such depth and power. My god! Where does all that energy come from? It must be exhausting for her but exhilerating for the reader. Her passion and belief strike a very deep chord in me, and, I'm certain, in anyone who reads this moving and generous collection. Thank you, Marge Piercy, for the many wonderful hours I spent with you "In the Art of Blessing the Day" and all of those still to come.Ruth Daigon