Right as Rain

by George P. Pelecanos

Book Overview

George Pelecanos's Washington, D.C., is a far cry from the upwardlymobile, tourist-attraction-speckled enclave of Margaret Truman (Murder at the National Cathedral, Murder in Georgetown). Pelecanos's capital is a haunting terrain of drugs and death, a no man's land of posturing dealers and skeletal warehouses that shelter their buyers:A rat scurried into a dim side room, and a withered black face receded into the darkness. The face belonged to a junkie...

• Format: Mass Market Paperback
• Language: English
• ISBN: 0446610798
• ISBN13: 9780446610797
• Release Date: February 2002
• Publisher: Warner Books (NY)
• Length: 384 Pages
• Weight: 0.42 lbs.
• Dimensions: 1.0" x 4.2" x 6.8"

Customer Reviews

Dark, Gritty, Good!

Right as Rain is gritty social realism at its best. Pelecanos works against the straight-jacket of the detective genre to bring us a novel that is equal parts detective novel, social commentary, and roller coast ride entertainment. In the end, it's easiest just to call Right as Rain a detective novel, but it could just as well fit on the literary or mainstream book shelf inside a bookstore. It is that good!One honest word of caution to anyone who may be reading this review trying to make up her mind whether or not to buy or read Right as Rain -- it is a very "male" novel. It is macho. It is violent and gritty in its depiction of drugs and drug use, and women take subordinate roles to men. If you want great women characters go read Jane Austen, if you want a shotgun and Sharmba Mitchell, Pelecanos is your man.Right as Rain is the story of private detective Derek Strange and former cop Terry Quinn's first meeting and first work together. Quinn has been forced into retirement for shooting and killing a plain-clothed black cop (Chris Wilson) in a morally compromised situation, and the story is primarily about his ability to redeem himself. The race issue is described in multi-textured layers where honesty proves the better line to walk than PC social convention.Both Quinn and Strange have mature issues to work through. For Strange, he must decide how much to commit to a role as father and husband, while working the thankless streets of D.C. And at the center of their work is the lost junkie sister (Sondra Wilson) of the cop Quinn killed. She may hold the answers to why Wilson was going ballistic on a slimeball kid named Ricky Kane, which drew Quinn into pulling his gun in the first place.All of this makes Right as Rain sound like a heavily weighted character novel, and while the characters are heavy the novel itself never gets weighted down. Pelecanos's pacing is about as good as any writer writing today, regardless of genre. You get the sense that he just writes each chapter on the fly, and when done well this makes for the best kind of novel -- one with a pulse, man. One with a very strong pulse.I highly recommend Right as Rain to ...anyone who likes really good fiction. I'd also suggest checking out "Shame the Devil," a novel who's opening twenty-five pages may be the best opening twenty-five pages I've ever read. Pelecanos doesn't mince words. When he gets into writing a novel, it's the fiction equivalent of Joe Frazier and Muhammad Ali. The fight is for truth, justice and moral redemption, and the result is an undisputed knockout!Stacey...

More from the Mean Streets of DC

Oddly, no one from DC has thrown in their 2 cents on the latest Pelecanos book, so I guess I'll give it a shot. I've lived in DC for 20 years, my family is from here, and Pelecanos is only the second author I've come across who writes about the DC that I know and recognize (the other Edward Jones, check out his story collection "Lost in the City" if you can find it). In this new book, he steps away from his established characters Nick Stefanos and Dmitri Karras, and launches a new duo, black, middle-aged PI Derek Strange, and younger, white ex-cop Terry Quinn. Through them, and the story of Chris Wilson, an off-duty black cop shot by Quinn, Pelecanos displays the racial awkwardness and tension that pervades Washington, D.C. The central message of the book is that everyone, regardless of race, carries preconceptions with them about other groups. That doesn't make them racist-that term is reserved for those who carry hatred in their hearts.Strange is hired to investigate the shooting of her son, Chris Wilson, leading him to Quinn, who works in a little used bookstore in Silver Spring (Like all the locations in the book, the store really exists, it's a few blocks from my office and I sometimes swing by on my lunch break). The two men fall into an uneasy partnership as this discover more about he events that led to Quinn's killing of Wilson. They make an engagingly effective odd couple as they verbally spar with one another about race, underneath their respective flaws, they're good men. At the same time, both men are struggling to make relationships work, Strange with his divorcee secretary, and Quinn with a Latina student/waitress. As with most of Pelecanos's men, they often make selfish or simply clumsy moves in looking for love. And like most of those same guys, they have well-defined tastes in music, cars, movies, and books.Following the tone of Pelecanos's previous work, what is gradually revealed is a sordid tale of drugs and corruption, with some powerful drug pushers, and a few violent rednecks. All this unfolds in a world instantly recognizable to Washington natives, where drug dealers work in the open, neighborhoods revolve around local restaurants, and corruption has spread to even the upscale oases (the well-known high-end restaurant Red Sage being one example). As we have come to expect from Pelecanos, everything comes together in a cinematic violent climax offering some attempt at justice. If you've read and enjoyed previous books of his, you're likely to enjoy this one as well. It's got two great new characters, and is a bit more explicit in examining racism, but is otherwise very much in keeping with his previous work.

WHAT IS "RIGHT AS RAIN" -- THIS BOOK IS!!!

In a recent issue of Book Magazine, George Pelecanos claims that hedoesn't want the words "cool and tough" to dominate his dustjacket blurbs in describing his writing so I'll have to come up withsome other adjectives to describe his explosive storylines and quickdialogue. He describes one of the characters in his book as being"violent, fearless, sensitive and disturbed" -- come tothink of it, these are the adjectives that could be used to describehis own writing in this book. I had an opportunity to see Pelecanosin person at a book signing in Philadelphia and if the words cool andtough shouldn't be used to describe his books, they certainly can beused to describe this author, as the picture in his book doesn't dohim justice.In Right As Rain, Derek Strange is a 50 somethingex-cop who now has his own investigation agency. Terry Quinn is a 30something ex-cop who now works in a bookstore. The shooting death ofblack cop Chris Wilson at the hands of a white cop will bring thesetwo together as the white cop and shooter was Terry Quinn. Strange ishired by Wilson's mother to clear her son's name since Quinn said heacted in self-defense in shooting Wilson. The investigation will leadDerek Strange to a drug trafficking ring originating out of Floridaand supplying the D.C. dealers with enough drugs to make everyonerich. The middlemen in D.C. are lowlifes and their connection is evenworse. Pelecanos explores the lives of the junkies, the dealers, thebad cops involved and some good cops trying to come to terms withurban life in D.C. as well as their own prejudicial agenda. Thisisn't the Washington, D.C. you see on CSPAN. The author states thatthere are "more violent criminals there, per capita, than in anycity in the country." Yet it is quite obvious that GeorgePelecanos loves this city and knows its good points as well as its badones. His research is extensive and I've heard he's been known todrive around with D.C. cops at night to further understand the innerworkings of the beat....after signing stacks of liability releases I'msure.The story comes to a cataclysmic end as all roads lead to oneand everyone's story becomes connected. It was at this point in thebook that I truly became nervous wondering how it would all end up.This is the true sign of a good mystery writer -- one who can keep youon the edge of your seat.Pelecanos makes some very good points onsocial reform yet he doesn't lecture you as some other authors might.He just throws his thoughts out there perhaps hoping they'll stick.He's also obviously a music lover and aficionado of books with awestern theme as most every scene in the book has accompanying musicmentioned as well as many western book titles being read in thebookstore where Quinn works. Lovers of music and westerns will eatthis up.The teaming up of Derek Strange and Terry Quinn is one thatdefinitely works and this reader hopes to meet up with them again inanother Pelecanos' offering. If you've yet to check out GeorgePelecan

One of Pelecanos' Best Novels, and That's Saying a Lot!

Over the weekend, I read George P. Pelecanos' latest, _Right as Rain_ and what a beautiful novel it was. Actually, I've cruised through his entire output in the past 10 or so months, and this book ranks right up there with _The Sweet Forever_, still my favorite.I love the way he describes Washington, D.C. in these books. I don't think I'd want to live there, but his characters obviously love the place and there are times when that affection almost overshadows the violent, seedy, downtrodden neighborhoods and lives described elsewhere. I also love the way the same characters weave in and out of the books, and how you can chart the downfall of the city, from _The Big Blowdown_ onward.That said, this book doesn't feature any of the characters from previous books, although the main relationship, between Terry Quinn, a former policeman and currently a clerk in a used book/ record store, and Derek Strange, also a former policeman (though much longer ago) and current private detective, might remind readers of the friendship between Dmitri Karras and Marcus Clay, in _King Suckerman_ and _The Sweet Forever_.This is because Terry is white and Derek is black. And this, along with a riveting mystery, is Pelecanos' main theme in the book: how are the races getting along? Is it possible to cross the divide and be friends? There are a lot of probing insights into this throughout the course of the book.Essentially, Strange is hired to look into the shooting of an off-duty policeman, Chris Wilson, by Quinn, some years before. Although Quinn has been cleared of wrongdoing, there's still some question whether he was too quick to pull the trigger, simply because Wilson was black. From there, the two men gradually develop a real friendship, as they delve into the case Wilson was working on, a case that eventually proves to involve drugs and gangs.This is, simply put, great writing. Elmore Leonard has nothing on Mr. Pelecanos when it comes to writing memorable dialogue. And the racial issues at the emotional core of the novel really elevate it above the norm. Since I've moved from an English professor to the librarian at a small junior college in southern Colorado, I've been adding his books to the collection and it's been gratifying to see them go out and to hear the positive comments. If you still haven't read Mr. Pelecanos, what are you waiting for?

Strong, gritty suspense

Washington D.C. private-eye Derek Strange, a black ex-cop in his mid-fifties, is hired by the mother of a slain young cop to clear her son's name in this gritty, character-driven novel. The dead cop, Chris Wilson, an off-duty black man in plain clothes with a gun to the head of a white man in a tough neighborhood, was shot by a white cop while trying to identify himself. Sound familiar?In Pelecanos' capable hands the story takes several quirky turns. Strange interviews the shooter, Terry Quinn, who subsequently joins his investigation, determined to prove himself colorblind. Although cleared, Quinn left the force and now works in a second-hand bookstore, passing his days reading Westerns. A cocky, impulsive young man, quick with his fists or whatever else comes to hand, Quinn makes an unlikely match for Strange, laconic and self-assured, who feels no need to defend every slight to his manhood.But Quinn makes himself useful and a wary partnership develops as Strange delves into Wilson's life, seeking reasons for his presence with that white man on that dark street.The D.C. streets, the ones our country's leaders never see, teem with simmering rage, wrecked lives, drug dealers, crumbling neighborhoods held intact with affection and traditions, good music, family restaurants, friends. Gritty, dangerous and lively, the city is home to a varied cast.The narrative shifts among them from Strange to Quinn to the leaders of a black heroin operation and their vicious white-trash go-between suppliers, with cameos by various girlfriends, hangers-on, and junkies. Each character is placed firmly in their home setting - the abandoned-warehouse headquarters of the heroin operation, the rural fortress of beer-soaked Earl and his hopped-up son, Critter, a pair who make their city connections look wholesome. Strange punctuates his methodical investigation with stops at favored neighborhood haunts, leaves his lonely rowhouse for evenings with his longtime girlfriend, Janine and her teenage son Lionel, but remains wary of commitment. Quinn moves in a new world, trying to be his cocky white self in black society, proving himself.The story is well-paced and absorbing. Pelecanos ("Shame the Devil," "King Suckerman") explores racial and social issues without sentimentality or preaching and with a hefty dose of dark, city humor. But the real movers in this fine novel are the characters, particularly Derek Strange, and the D.C. he calls home.