Renaissance Music Manuscript Sources : Anne Cromwell's Virginal Book, Apel Codex, Caius Choirbook, Cancioneiro de Belém, Cancioneiro de Elvas, Cancione
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 36. Chapters: Anne Cromwell's Virginal Book, Apel Codex, Caius Choirbook, Cancioneiro de Belem, Cancioneiro de Elvas, Cancioneiro de Lisboa, Cancioneiro de Paris, Cancionero de Medinaceli, Cancionero de Palacio, Cancionero de Upsala, Capirola Lutebook, Chansonnier Cordiforme, Chigi codex, Clement Matchett's Virginal Book, Dow Partbooks, Dublin Virginal Manuscript, Elizabeth Roger's Virginal Book, Eton Choirbook, Fitzwilliam Virginal Book, Glogauer Liederbuch, Guatemala City Choirbooks, Gyffard partbooks, Het Luitboek van Thysius, Ileborgh Tablature, Lambeth Choirbook, List of RISM abbreviations, Loire Valley chansonniers, Medici Codex, My Ladye Nevells Booke, Parthenia (music), Pepys Manuscript, Priscilla Bunbury's Virginal Book, Repertoire International des Sources Musicales, Ritson Manuscript, Specialnik Codex, Susanne van Soldt Manuscript, The Mulliner Book, Trent Codices. Excerpt: The Cancionero de Palacio (Madrid, Biblioteca Real, MS II - 1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Monarchs. The first ten folios are not numbered; the remaining folios are numbered from 1 to 304. Based on the index of works included in the beginning of the manuscript, it originally had 548 works. Many folios have been lost, reducing the number of works currently in the manuscript to 458. The manuscript was written by 9 different people and in all received 11 successive additions: By the end of the 19th century the manuscript was found in the Royal Library of the Royal Palace of Madrid by composer and musicologist Francisco Asenjo Barbieri, who transcribed and published..."
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