No Name

by Wilkie Collins and C W Whistling

Book Overview

Condemned by Victorian critics as immoral, but regarded today as a novel of outstanding social insight, No Name shows William Wilkie Collins at the height of his literary powers. It is the story of two sisters, Magdalen and Norah, who discover after the deaths of their dearly beloved parents that their parents were not married at the time of their births. Disinherited and ousted from their estate, they must fend for themselves and either resign themselves...

• Format: Paperback
• Language: English
• ISBN: 019283388X
• ISBN13: 9780192833884
• Release Date: June 1998
• Publisher: Oxford University Press, USA
• Length: 784 Pages
• Weight: 1.12 lbs.
• Dimensions: 1.5" x 7.7" x 5.0"

Customer Reviews

"Mr. Vanstone's daughters are Nobody's Children"

4 1/2 stars, but I rounded up. No Name is the story and portrait of Magdalen Vanstone... or as Wilkie introduces his novel in the preface, "Here is one more book that depicts the struggle of a human creature, under those opposing influences of Good and Evil, which we have all felt, which we have all known." It's a fairly accurate description as throughout the course of the story, we see the evolution of the character of our heroine; we see her heading down a shady path, but yet somehow from a 21st century perspective, Magdalen manages to make it seem not so immoral. Often times I see her trying to act as morally as she can in the unmoral situations she chooses to involve herself in. Part of No Name's strength, arises from the deftness in which Collins creates Magdalen. She posseses such an enormous range in character and emotion that if No Name were ever to be made into a movie, actresses would vie to have her role. When Magdalen and her sister's inheritance are taken away due to unexpected familial circumstances, Magdalen resolutely follows a reckless path of revenge. While not exactly your Victorian equivalent of your "Kill Bill," the novel seems closer in spirit to Alexander Dumas's novel: The Count of Monte Cristo. Of course it doesn't have the swashbuckling quality of Dumas's novel as there are no fight scenes to the death. Collins's novel is set in a domestic scene with a female protagonist and the action is far tamer. It is equally gripping though because it's the chase of the revenge that's the fun part; the deceit and swindling involved, the careful measuring of your enemy's abilities that is part of charm. Collins was genius to embroil a female in a revenge type of plot and I'm just amazed at how much free agency Collins bestows upon Magdalen - a female living in Victorian times. He completely cuts her off from the ties of society and gives her free reign. While I was reading, I felt that the novel could be loosely separated into 3 quite different parts - each with it's own distinct pacing and mood. It goes quite well with the divisions of the triple-decker novel they had long ago. I'm not spoiling much because the novel covers such massive ground, but the first part covers the idyllic times of the Vanstone family and we come to see how the inheritance is stripped from the Vanstone daughters. The second part (the best and my favorite) follows Magdalen as she pursues her revenge with the superior help of the rogue Captain Wragge, a self-proclaimed, "moral agriculturist" (I'll leave you to discover what he means by it). Wragge is one of Collins' best creations (he even beats out Count Fosco in my mind). A short, brown eyed, green eyed creature with enormous talents and verbal abilities, he is very resourceful, calculates very well, and is able to adapt quickly to whatever is needed in each situation. One of the highlights of No Name resides in Wragge's chronicle describing Magdalen's progress. The other crowning achievement is the ca

Great Ninteenth Century Chessmatch - One of Wilkie's Best

Wilkie Collins, best know for "The Moonstone" (which I have read and loved) and "The Woman in White" (which I have not read yet) is at his best in "No Name". I do not compare it to the "Moonstone" for the "Moonstone" is a great mystery for which the reader must wait to the end for it to be revealed. "No Name" is not a mystery but one great chessmatch, that oddly enough is not played by Magdalen and Noel Vanstone. It is played by the wonderful character of Captain Wragge and Mrs. Lecount. Reading and seeing the game as it is played out is one great ride. Although many, at the time the book was published, were shocked at the ending. I found it to be very good. It was shocking to those at the time that Wilkie would allow a woman who had done the things Magdalen had done to find happiness. As a reader, I was very much glad that she did find it (one litte bit of the ending revealed) for she deserved it (in my opinion). In the beginning of the book, I came to very much like Magdalen and wished her success in her quest to regain her rightful inheritance - although I knew what she was doing was wrong. I also found that I very much liked Captain Wragge, for all of his "moral agriculturalism", he had a soft spot for Magdalen which came through in the story. For her part, Magdalen, trying her best to be unemotional and strong, kept her soft side when it came to Mrs. Wragge (even though she was her downfall). All in all, this was a very good book that kept my interest through the 700 pages. For those of you that liked the "Moonstone" and the "Woman in White", "No Name" will no disappoint and I recommend it to anyone that enjoys Wilkie's style of writing. P.S. I did not write too much about the story line for I did not want to give too much of it away.

tons of fun

This is the best-plotted book I have ever read. The intricacies of the ingenious cat-and-mouse game kept me unable to put the book down (despite its length, and my general impatience as a slow reader). Unlike other books I've read by Collins, this one is also extremely funny, largely because of one character who is an incredible rascal and scoundrel. This is really one of the most enjoyable novels I've ever found.

A piercing look at social mores

It is to Wilkie Collins' credit that more than a century after he wrote his novels, they still engage the reader and make sense in social terms. In "No Name," two sisters by the last name of Vanstone find out that they are illegitimate. Their formerly comfortable lives are disrupted to the core as their lose their places in society, their friends, their inheritances, and even, literally, their names. Collins makes their predicament alive and vital despite the fact that today this sort of news would barely stir a social ripple.

The job of a highly intelligent first-rate artist.

This book is much less known than its famous brothers, "The Woman in White" and "The Moonstone" (I have read them both). It was written between them, and I think it is a very worthy companion to the pair. Mr. Collins was the son of a well-known painter and you perceive his gifted eye for describing characters and environments. He also had a great talent for devising plots and producing very vivid, human and interesting characters. So, your reading enjoyment can be very rich and multidimensional. You can almost feel in the background the presence of the writer's very powerful mind behind the story, carefully describing very realistic scenes, with dashes of humor, irony and eccentricities, while keeping you keenly interested for almost 750 pages. Some of the characters and scenes in the book are gems, as the one of the rich and extreme miser, Mr. Noel Vanstone, in the agony of agreeing on the amount to inherit to his lifelong housekeeper, Mrs. Lacomte (who has been almost his mother). And this, while she is dictating to him the terms of his will ! Mrs. Wragge, his swindler husband, Magdalen and the Admiral are greatly portrayed. This is one of the few books that after finished, most probably will keep growing with you, and will keep its attraction in your memory for a long time. Mr. Collins's main works are so high-quality, that you'd be a much more selective reader afterwards. I would recommend also his "Armadale" (this I haven't read yet, but soon will).