Dirt for Art's Sake: Books on Trial from Madame Bovary to Lolita

by Elisabeth Ladenson

Book Overview

In Dirt for Art's Sake, Elisabeth Ladenson recounts the most visible of modern obscenity trials involving scandalous books and their authors. What, she asks, do these often-colorful legal histories have to tell us about the works themselves and about a changing cultural climate that first treated them as filth and later celebrated them as masterpieces? Ladenson's narrative starts with Madame Bovary (Flaubert was tried in France in 1857) and finishes...

• Format: Hardcover
• Language: English
• ISBN: 0801441684
• ISBN13: 9780801441684
• Release Date: December 2006
• Publisher: Cornell University Press
• Length: 304 Pages
• Weight: 1.34 lbs.
• Dimensions: 1.0" x 6.5" x 9.2"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

Absurd Attempts to Clean Up Literature

1857 was an important year for literature, and for sex. It was either an _annus mirabilis_ or _annus horribilis_, depending on your point of view. _Horribilis_, says Elisabeth Ladenson in _Dirt for Art's Sake: Books on Trial from Madame Bovary to Lolita_ (Cornell University Press). It was the year in which _Madame Bovary_ was published and then prosecuted, as well as Baudelaire's _Les Fleurs du Mal_. The year also saw the Obscene Publications Act in England. That prosecutors were able to harass the authors and publishers of these books, as well as the other later ones that Ladenson considers, seems now quaint but also sad. Some of these books are among the highest of the classics, and the others gained far more infamy because of their prosecutions than their literary worth would have earned them. The unmemorable smut that is the huge bulk of pornography isn't much considered here (this is _Dirt for Art's Sake_, after all), but Ladenson's witty and thorough book can only remind the reader that this sort of societal fussing over what people can read, especially screening for the benefit of a supposed impressionable "young person", is wasted effort. It annoys readers, authors, and publishers, and has from time to time kept important books out of the hands of those who could appreciate them. _Madam Bovary_ is Flaubert's most famous work, and its trial is intimately connected with the book. The problem as the French government saw it was that literature was to be useful and encourage moral order; literature that threatened the state was to be suppressed. The defense was two-pronged. First, there was "art for art's sake", that art exists independently of conventional morality. The other, somewhat contradictory, defense was that art depicts by means of realism, that if there were sordid aspects of life, they should still be fearlessly presented. But Flaubert's defense still relied upon the upholding of morality; his realistic depiction of the adultery of Emma Bovary was only to promote a higher virtue. Emma might not be a positive example, but served as a bad example to keep readers from making the same errors themselves. It is hard to see how even the prudish objected to the other indisputable member of the literary canon included here, unless they were given a list of four letter words that are included in the text, or specific pointers to the pages where Mr. Bloom goes to the outhouse or where sexual activity takes place. _Ulysses_ is, after all, a big book, full of a close examination of three characters and their one ordinary day in Dublin, so "naughty" themes are far from predominant. The book is not as easy to read as real porn, and only the misguided might pick it up hoping quickly to find spicy bits; Joyce's novel, Ladenson says, "provides its own inaccessibility." The classic 1933 decision allowing the book into the US, written by Judge John Woolsey and included as a preface to the work, gives the judge's opinion that while