Acting Without Agony: An Alternative to the Method

by Don Richardson

Book Overview

Most acting books approach acting and directing from the Stanislavsky method which advocates arriving at emotions by "Affective Memory.'' This process asks the actor to use his/her own past experiences and graft them onto the character. Stanislavsky himself later rejected this and said it "led to hysteria.'' Acting Without Agony offers an alternative to the method and teaches another way of arriving at emotions, which is described in detail throughout...

• Format: Paperback
• Language: English
• ISBN: 0205151655
• ISBN13: 9780205151653
• Release Date: November 1993
• Publisher: Pearson
• Length: 208 Pages
• Weight: 0.75 lbs.
• Dimensions: 0.5" x 6.0" x 8.9"

Customer Reviews

"Get your notebooks"

I loved Don Richardson and I love this book. It is a practical, easy to understand alternative to the method. I learned how to quickly make acting choices and put them into my body. I have been using this method for the last 15 years and I have been lucky enough to work alot. My only regret is that this book does not capture his philosophical view of people and his vast archive of knowlege and crazy stories. Don was a well respected director and an amazing teacher. When you nailed a scene, Don would rise from his directors chair and give you "the handshake". There was no greater joy than getting one. Otherwise he would say in "Get your notebooks". Reading Acting Without Agony is like "getting out your notebook".

Interesting premise. Not 100% though.

Ultimately, yes, this is an interesing book. What makes it interesting is that it points out a lot of the flaws and pitfalls in 'Method' acting. That was something that I wrestled with for years. All the agony. I'd lost the joy in the process. That part makes this book interesting. However, these techniques, although they sound promising are a bit shallow and overly simplistic at times. I still think this is a worthwhile book. There are bits of it that are very good. I would just say to watch out for when it gets too gimmicky. Now, this is just my own experience, I want to be fair here, maybe others were able to make this work, but I tried his system for supposedly creating emotions and to me that is just a gimmicky way to work. I can't imagine how that could work for anyone. It sounds interesting but after trying it, the techniques given for emotions just fall flat (for me anyway).The overall problem with this book is that it tries to create too many little 'tricks' at times. I don't think it quite works that way. My personal feeling is that you need to be thorough in your character choices, know the right questions to ask, and eventually trust your talent. BE. Be in the moment, with all the work you've done you then jump in and surrender to your talent. I don't think any little system can do that. I think it's a god given-surrendered kind of thing, not something you try to manipulate. That was at times the problem I had with this book.Nevertheless, it does have some gems in it. Aside from the system for creating emotions, the rest of the book is very good. It points out the importance of a well chosen objective, he gives you good character questions and explains how to work on different styles. Also, he does find a nice way to simplify things. I did feel I learned some good things from this book.

This is the best book for actors and actresses in print.

After translating this book into spanish,I have had a very close relationship with don richardson's text. I trust that this book will be as valuable to spanish speaking theater students as it has been to english speaking actors and actresses. I would like to publish the work, and would like to contact mr. richardson.

It's required reading in my class at Ball State university

The best book I ever read about the art of acting. It's simple and direct. I require it in my classes. Wonderful for directors as well