What Am I Doing Here

by Bruce Chatwin

Book Overview

In this text, Bruce Chatwin writes of his father, of his friend Howard Hodgkin, and of his talks with Andre Malraux and Nadezhda Mandelstram. He also follows unholy grails on his travels, such as the... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0140115773
• Release Date: August 1990
• Publisher: Penguin Books
• Length: 384 Pages
• Weight: 0.60 lbs.
• Dimensions: 7.7" x 0.8" x 5.0"

Customer Reviews

The title is the key

I loved the book; read it years ago and am now re-visiting it. What always struck me was the title - without the question mark (?) - why do I see so many pages about the book on the web where a "?" is included at the end of the title? Adding it just demeans the author and the reader as well.

The Master Stylist

This is Bruce Chatwin's dying opus. He edited the pieces in What Am I Doing Here (a quote from one of Rimbaud's letters, writing home from Egypt) whilst weak, fevered and dying from AIDS in 1988. It is the first and best of the collections of Chatwin's shorter writings, composed of articles written when writing for the Sunday Times Magazine in the early 1970s, other newspaper articles, Granta contributions and other miscellaneous pieces. This compendium, arguably more than any of his other travel books and novels, gives a good insight into the complex and fascinating life Chatwin lived, always in pursuit of the bizzare, the exotic, the beautiful and a good story. Chatwin's writings cover themes as dispirate as travel, art, politics, people and literature. Always discussed in a terse, erudite style that became his trademark. The breadth and depth of Chatwin's knowledge is incredible, thus these writings are not the most accessible. Some appreciation of art history, literature and anthropology for example is necessary to comprehend some of the more esoteric pieces in the collection. Readers who give Chatwin the time will be able to unravel a wealth of brilliantly illuminated stories. From personal tales about family members, meetings with fabulously well connected and artistic people - such as George Costakis the Soviet art collector and Madeline Vionnet the French dressmaker, descriptions of his travels to far flung places - Patagonia, Afghanistan, China, searching for yeti in the Himalayas - the list goes on, one never fails to marvel at the rich tapestry that comprised Chatwin's life. Certainly, he lived a life about as far from the mundane as it is possible to get. How did Chatwin manage to constantly encounter such fascinating and varied people and draw out their stories? Part of the reason lies in his connections from his days working as Sotheby's, another explanation lies in his innate charm that seduced men and women all over the world. Also it should be remembered that Chatwin was frequently liberal with the truth in order to tell a story that fitted with his own remarkable perception of the world and its inhabitants. At times he put the fictional process to work in odd instances - his biographical piece on the artist Howard Hodgkin for instance has been declared innacurate by Hodgkin himself, and this as explained in the bibliographical note was published as a 'portrait of the artist' to accompany the catalogue for the Tate Gallery exhibition 'Howard Hodgkin's Indian Leaves'! How did Chatwin get away with it? The truth will probably never fully out, but I would recommend Nicholas Shakespeare's excellent biography 'Bruce Chatwin' for readers interested in finding out more about Chatwin's life. As a final note, I agree with the opinion of Salman Rushdie that the four short pieces at the end of the book 'Tales of the Art World', written in the last year of Chatwin's life are among the best he ever wrote. Four final drops of genius th

Such an interesting life!

I've always thought to myself that when I'm getting close to death and I look back on my life, there's one thing I'll want. At this point, I don't particularly care about money, or love, or having kids or anything like that. But when I die, I want to look back on what I did throughout life, and think: Holy cow. My life was so INTERESTING!When Bruce Chatwin died in '88, there is no doubt that he fulfilled that same goal. His life was undeniably fascinating, and this book is snippets of it. 35 stories, each concerning different people or places, and all of them are riveting.Chatwin covered an incredible amount of ground throughout his life, and the book gives one a minor snapshot of some of those places. It feels like someone were interviewing him about his life, and just asked the broad question: So, what were your favorite experiences?I lacked the necessary background in art history to fully appreciate a lot of his stories (he being an art connoisseur), but even with little to no knowledge of such things, Chatwin's book was fascinating; he makes you care about what he cares about, whether you did before or not.When I finished the book, I put it down and immediately wanted another one just like it. Undoubtedly Chatwin had more stories to tell, but the general public will have to be satisfied with his own self-selected highlights from a fascinating life.I really can't recommend this book highly enough, especially for people who like to travel, or particularly like art or history.

Chatwin as intimimate as possible

This book as very complete set of short stories and memoirs of Chatiwin just unil his death. Excelent portraits of some of the historical events and persons he met.

This book makes you feel your inner restlessness

The storys of this book present a caleidoscopic collection of Chatwins work. Each is different, each brings brightness to your day. My absolut favorit is 'At dinner with Diana Vreeland'. A story so short (half a page) and so poetic.