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Paperback Some Sort of Epic Grandeur Book

ISBN: 0881849073

ISBN13: 9780881849073

Some Sort of Epic Grandeur

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Book Overview

Epic indeed, this is the definitive biography of Fitzgerald, plain and simple. There's no reason to own another. (LJ 10/1/02) Copyright 2002 Cahners Business Information.

Customer Reviews

5 ratings

Great biography.

An excellent, thorough, and well written biography. Detailed, but entertaining and easy to read. Broken up into short, easily digestible chapters. A must read for any Fitzgerald fan.

Some Kind of Wonderful

I am an absolute diehard fan of F. Scott Fitzgerald, both his life and his literature. So, I knew when I purchased this book I was bound to scrutinize its every nook and cranny. Well, my scrutiny proved to be a wasted effort. Without question, Matthew Bruccoli is the number one Fitzgerald scholar in the country, and after reading this biography, it is impossible to question why. Bruccoli covers every aspect of Fitzgerald's life and includes several bits of correspondence to really give readers a look inside Fitzgerald's thinking. --Perhaps my favorite thing about the book is that it does not sentimentalize the author (which I myself have a habit of doing). Fitzgerald is spelled out here in all his glory, yet, we also get to see his unflattering side...paranoia, arrogance, unharnessed alcoholism, and downright neurosis. F Scott Fitzgerald was a brilliant man whose life became legend. It is my humble opinion that Bruccoli has written the most thorough and best possible biography. Simply put, the read is fascinating. It might be 600 pages, but you will fly through it. It is "never dry" (like Fitzgerald :)) and always entertaining. For Fitzgerald fanatics like myself, this book is a must, but I am convinced that anyone who takes to "human interest" stories would find themselves engulfed in its pages. Also recommended: "The Romantic Egoists"...a scrapbook collection put together concerning the lives of the Fitzgeralds. It is packed with pictures and is a wonderful companion to the biography. It was also published by Bruccoli.

Excellent Reference Book but Choppy on Its Own as a Story

I bought this book and read it before reading any of the works of F. Scott Fitgerald. The book opens with an interesting literary hook as we follow the last few hours in the life of Fitzgerald on December 21, 1940. He is an unemployed screen writer living in Hollywood at the apartment of his companion Sheilah Graham. On the previous day, he had symptoms of a heart problem. That morning on the 21st, he was working on "The Last Tycoon." He was sitting in a chair, stood up, grasped the mantlepiece, collapsed, and died at age 44. That book is one of seemingly dozens of short stories on F. Scott, Zelda his wife, and others. The book is not a seamless story but is a chronoligcal collection of short - almost disconnected - stories about his life and works. It is an excellent reference book to consult as you read the works of Fitzgerald. I found the book on its own too dry with too many facts and it gives no idea of what the writing was like. It was not until I read "This Side of Paradise" did I understand what all the fuss was about with F. Scott Fitzgerald, and it was at that point the present biography came to life. For example, I quote a passage from Chapter 2 of Book I, as Amory sits on the steps of his dorm at Princeton after his first day on campus: "Now, far down the shadowy line of University Place a white-clad phalanx broke the gloom, and marching figures, white-shirted, white-trousered, swung rhythmically up the street, with linked arms and heads thrown back: "Going back-going back, Going-back-to-Nas-sau-Hall, Going back-going back- To the-Best-Old-Place-of-All. Going back-going back, From all-this-earth-ly-ball, We'll-clear-the-track-as-we-go-back- Going-back-to-Nas-sau-Hall!" Amory closed his eyes as the ghostly procession drew near. The song soared so high that all dropped out except the tenors, who bore the melody triumphantly past the danger-point and relinquished it to the fantastic chorus. Then Amory opened his eyes, half afraid that sight would spoil the rich illusion of harmony." One learns more about Fitgerald's writing from that passage than the entire biography. Having said the above, this is a fact filled reference book that acts as a wondeful guide and supplement to the F. Scott's life and the background for the works. There are many photographs and other documents among the 61 short chapters. I especially liked the ledger notes that were kept by Fitzgerald that clearly outline the characters and plot details for the books. Bruccoli has included a huge notes section and appendix at the back of the book, about 100 illustrations, plus many more documents. I have read many interpretations of "Tender is the Night" but it is a lot clearer when you actually read the author's own notes as produced here in the present biography. Highly recommend: excellent collection of short stories and documents.

An excellent biography

I've admired Fitzgerald all my life and regard his work as singularly underrated as time goes on. He was a brilliant and witty writer who could turn a phrase as well as any American author of the 20th century. This biography is the best I've ever read on Fitzgerald. It's particularly strong in the depiction of his gaudy, booze-soaked life with Zelda, especially when they were ex-pats living in France. Bruccoli really draws the reader in with deft descriptions of their marital rows, woes, break-ups and innumerable reconcilations. I was happy to see that their daughter, Scottie, was also illuminated so brilliantly.The material on Sheila Graham, Scott's lover in Hollywood, was also intriguing. Graham's own book about Scott is a great read, but the author brings out elements to the story which Graham omitted. I was genuinely sad when Scott dies and the narrative concludes. The debauchery, booze and high times of the Flapper era are all here. This is a highly recommended, beautifully tribute to one of the great writers of the past 100 years.

Thorough and honest - excellent!

From the preeminent Fitzgerald scholar Matthew Bruccoli, this book's remarkable thoroghness and honesty is refreshing. Bruccoli gives the oft misunderstood Fitzgerald a human, albeit, reverent study, exploring beyond the overemphasized alcoholism into the realms of insecurity and sensitivity that had an indelible effect on Fitzgerald's work. The book reads well, without the burden of overly scholarly analysis, making it suitable reading either for doctoral study or simply for a summer beach day.
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