The Dada Painters and Poets: An Anthology, Second Edition

by Kurt Schwitters, André Breton, Richard Huelsenbeck, et al.

Book Overview

The Dada Painters and Poets offers the authentic answer to the question "What is Dada?" This incomparable collection of essays, manifestos, and illustrations was prepared by Robert Motherwell with the collaboration of some of the major Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in their own words and art, the principals of the movement create a composite picture of Dada--its convictions, antics, and spirit...

• Format: Paperback
• Language: English
• ISBN: 0674185005
• ISBN13: 9780674185005
• Release Date: May 1989
• Publisher: Belknap Press
• Length: 464 Pages
• Weight: 2.33 lbs.
• Dimensions: 0.9" x 7.6" x 10.0"

Customer Reviews

A classic, and a great intro.

This is Motherwell's classic book on Dada. It was the only comprehensive look at Dada for along time. Good for an intro as well as a comprehensive coverage of the original Dada's and their works.

Anti Unincorporated

Dada not only wrote and painted, it talked, drank, agitated, danced, babbled, burbled, shocked, indulged in self-loathing, took notes, held exhibits, dressed up, hooted, wrote scathing criticisms of itself, whistled, made noises with its skin, fell in love with itself, mailed letters, and then committed suicide. Huelsenbeck, Tzara, Breton, Ball, Duchamp et al. enacted Dada selves out of hatred for war, but their hatred and iconoclasm continued when they discovered that the monster that lives off of war didn't die on Armistice Day (the one in 1918). They became anti-everything that was Modern, Reasonable, Commonsensical, Appropriate, in other words, everything that would help humans hide from (while justifying) their own self-destructiveness. They tried to open up the unconscious and display it for Europe and America. This book charts that process better than most. The best of the essays about Dada is "The Dada Spirit in Painting" by Georges Hugnet, but the best pieces here are by those who, in writing and painting, were being Dada: Eluard's and Huelsenback's poems, Ball's "Dada Fragments," Tzara's "Seven Dada Manifestoes," Ribemont-Dessaignes' "History of Dada," and Breton on Duchamp.