Skip to content
Login · Help

Hidden Life: A Memoir of August 1969

Hidden Life: A Memoir of August 1969


Free shipping on all U.S. orders over $10!

For years, Johanna Reiss’ American husband, Jim, encouraged her to return to Holland to chronicle the two years, seven months, and one day she had spent hiding from the Nazis in rural Usselo, Holland. In 1969, she finally made the trip.Accompanied by Jim and their two young children, Reiss intended to spend seven weeks researching the book that would eventually become The Upstairs Room, her Newbery Honor–winning account of her time hiding in the attic of a farmhouse in which for a time a contingent of Nazi soldiers was billeted.But unknown to the millions of people who went on to read her beloved classic, behind the dark and painful story of the book was a still darker tale: Reiss’ husband returned to America early and committed suicide at age thirty-seven, leaving no note.For Reiss, an ongoing reckoning with universal tragedy becomes particular: she is forced to reckon, too, with Jim’s death—and explain it to her children. Subtle and disturbing, the book is a powerful consideration of memory, violence, and loss, told in a stunning and sparse narrative style.Johanna Reiss is the author of the classic young adult title The Upstairs Room, which Elie Wiesel praised in The New York Times Book Review as an “admirable account . . . as important in every respect as the one bequeathed to us by Anne Frank.” She is the winner of the Newbery Honor, the Jewish Book Council Children’s Book Award, and the Buxtehuder Bulle. She lives in New York City.

Customer Reviews

Average Rating
3 ratings


Share your thoughts on Hidden Life: A Memoir of August 1969.

Write a review

A compelling memoir

A Hidden Life is no ordinary memoir. It is a profoundly honest account of Johanna Reiss's husband's suicide. A senseless act without explanation. No Note. Johann Reiss recounts her painful experience in a beautifully poetic stream of consciousness style. Even though Jim's death is revealed in the beginning of the book, I still felt compelled to find out what happens at the end. The writing has a certain eccentricity that at times amuses as well as evokes sadness. Accolades to Ms. Reiss for writing a most compelling memoir.

A Hidden Life

In 1972, Johanna Reiss wrote The Upstairs Room, the story of her two-and-one-half years spent in a closet-like room (along with her sister) in a farmhouse in Nazi-occupied Holland. The Upstairs Room was directed at a young readers' audience, was critically successful and received a Newbery Honors award together with universal professional recognition. Some fifteen years later, Mrs. Reiss returned to Holland to reunite with the family which had sheltered her, and the places where she had spent her childhood, and detailed this experience in The Journey Back, a straightforward narrative directed at adult readers. During this period, she was living with the memory of a beautiful but bittersweet marriage, which is now chronicled in A Hidden Life, published in January. Although A Hidden Life covers the last months of this marriage, it has taken the author ten years to to properly put her thoughts to paper and the result is a fascinating documentation of a remarkable but tragic experience. Although the first two books in the trilogy were written in a strictly narrative style, A Hidden Life is a combination narrativereflectionstreamofconsciousness form requiring little or no additional concentration on the part of the reader, but clearly conveying the emotional state of the author. The pages turn easily and swiftly, and Mrs. Reiss even manages to inject a wry sense of humor from time to time. There is no need for the reader to peek at the end for the conclusion, which is known at the outset, or to look back from time to time for the cast of characters, which is limited and identifiable. Although A Hidden Life concludes the trilogy, I do hope that, before too long this remarkable woman will be persuaded to return to the keyboard and mouse.

Beautifully written, dark but compelling

Some years ago I read the book this author, Johanna Reiss, wrote for children called "The Upstairs Room." It is a famous book, and deservedly so - some call it the Anne Frank story with the happy ending, for the author was a hidden child in Holland during the Holocaust. She and her sister were Jews, concealed by simple farmers for three years. "The Upstairs Room" ends with a jubilant scene of liberation by the U.S. Army. The girls can run free again, in the sunlight, with no fear, and the farmers who saved them are brave, kind and heroic. ... But of course real life is far more complicated, right? In a children's book, the author would not reveal all the nuances of what happened, how she felt about it,and what became of her. But in her new book, "A Hidden Life," we learn that the carefree future suggested by the happy ending in "The Upstairs Room" was not to be for Johanna Reiss. She moved to America as an adult and married an American Jew. At his urging, she returned to Holland with their two young daughters on a vacation to do research for the book. While she was in her homeland, her husband, back home in New York, killed himself. This horrifying situation is revealed almost immediately in "A Hidden Life," so I don't feel that I'm giving much away by revealing it here. The book is utterly compelling despite the early denouement; you are right there emotionally with the author as she stumbles, in shock, tries to make sense of it, revisits scenes from her youth in the upstairs room and her courtship in America, and as she looks for clues that might explain what caused her husband to take his life. This is a dark book, no doubt about it; not for children. But I couldn't put it down. I found myself reading it 1 a.m., and nearly missing my stop on the train because I couldn't take my eye off the page. The writing is beautiful and eloquent; it has a poetry and an unconventional sensibility that I attribute to the fact that the writer is not a native speaker of English. She chooses her words in ways that make every sentence important and unusual; her cadence and word choice cannot be anticipated, they can only be experienced. From her very first sentence to her very last, the writing is pitch-perfect, and the story - of survival, grief, guilt and of trying to make sense of the random tragedies life sometimes hands us - is unforgettable.

Edition Details

Publisher:Melville House
Lowest Price:$0.00
Copyright © 2016 Terms of Use | Privacy Policy GoDaddy Verified and Secured