Embers

by Sándor Márai, Rosa Freire d'Aguiar, Anna Valentová

Book Overview

'Wonderful. Immensely moving' Daily Telegraph As darkness settles on a forgotten castle at the foot of the Carpathian mountains, two men sit down to a final meal together. They have not seen one... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0375407561
• ISBN13: 9780375407567
• Release Date: September 2001
• Publisher: Alfred A. Knopf
• Length: 224 Pages
• Weight: 0.15 lbs.
• Dimensions: 1.0" x 5.3" x 7.8"

Customer Reviews

Una poetica increible

El Último Encuentro no se lee, se digiere lentamente como los buenos vinos, como los chocolates que dejas derretir lentamente en tu boca... su prosa, de verdad fue para mi un verdadero hallazgo cargado de metáforas, de imágenes alucinantes y únicas... Si vienes de leer una novela ligera, El Ultimo Encuentro se convertirá en un freno, ya que en su lectura hay tantas ricas imágenes, tantas bellos pasajes que es imposible no leerlo en voz alta. Un "in crescendo" silencioso marca una de las grandes novelas del siglo xx.

A review of "Embers" from two perspectives

I was moved to add my voice to your reviews of "Embers" for two reasons: because it is such an excellent piece of literature, and because I have read it in its original Hungarian and now in English. Viewing it from such a unique perspective, I can say that it is an outstanding translation and is as effective in English as in Hungarian. While the setting may seem exotic to Americans, the problems it explores are deeply psychological and universal to mankind. While it may not be the choice of readers of popular action novels, it would appeal to serious readers of fine literature. (I speak as one who has worked as a translator, written fiction, and holds degrees in psychology.) The book explores the friendship and love of two men and the meaning of the rift that tears them apart for 41 years and defines the existence of at least one of them for the remainder of his life. The novel is developed masterfully, solely from the viewpoint of one of the men, through his well planned monologue in the presence of his friend, during which he wrestles aloud with the great questions that have defined his life. In the end we realize that the presence of his friend is almost incidental, as the speaker has come to grips with his questions through internal dialogue and soul searching over 41 years of self-enforced withdrawal from the world. In the end he seems content with his conclusions and complete within himself, having answered his own questions, although the presence of his friend was necessary in order to achieve his piece of mind.

FLAWLESS!

This book is a diamond: brilliant, clear, cold, and hard. The language is particularly remarkable because the credits state that that the English transation of this book was made not from the orginal Hungarian but from the German translation of the Hungarian. It is a double tour de force of the translators' art.Among this work's many charms is the period detail of the Austro-Hungarian empire at the very end of its long run, and an Old World culture that still echoes in memories of the airs and graces of immigrant grandparents. They say that history is written by the victorious (in war); well, although literature is most frequently published by the victorious as well, the vanquished keep on writing, and manuscripts don't burn. As other reviewers have stated, the arresting story line of this book is told in the course of a single evening, but covers the lives of two old men beginning from the time they were boys, and centering an ambiguous act or acts of betrayal which occured at their last meeting forty-one years earlier. There is not a single extraneous word, or wasted image, in this volume. This becomes more obvious upon second reading once one has satisfied oneself that one has solved, to the extent possible, the mystery presented in the storyline. The depth and subtlety of psychological insight that Marai brings to this work is astonishing. The effect is a combination of the film "My Dinner with Andre," but without the humor, as written by Josephine Hart, the author of _Damage_. What is truly phenomenal to the 21st century American reader is that an author of such power and mastery could have lived and died (in Los Angeles, or thereabouts, in 1989!) utterly unknown until recently.I disagree with comparisons of this author to Proust or Dostoevsky. He is more nearly akin to Pushkin, and this work can stand next to the _Queen of Spades_. You will not regret the time spent reading this book.

Grand Rediscovery

The good news is that a substantial body of work from Mr. Sandor Marai of Hungary has been found once again, in a manner of speaking, and for those who love brilliant writing, the Publisher Knoph is translating his work into English. His novel, "Embers" is one of the better books I have read this year.An old castle in The Carpathian Mountains is the setting for what approaches a monologue. The mood of the book is consistent with another who hailed from these mountains as Vlad The Impaler. The book is not a horror novel, rather a disturbing psychological thriller that explores what is truly at the heart of an issue after it has been examined for over 4 decades. Coincidentally the age of the author when he wrote the work, and the time that expires between one dinner between the closest of friends and its sequel, are both 42 years. The book is remarkable as he writes of the view of life from the perspective of people in their 8th and 10th decades of life, and the prose reads as authoritative and appropriate. It reads like a man who has lived twice as long as the author had lived when he penned this work. The writing is wise.Mr. Marai takes a familiar theme that would normally result in rapid responses from those involved, and instead suspends any conclusion for over 4 decades. He presents two boys that grow up together and form bonds that are so absolute, there is nowhere for their friendship to improve. Their bond is complete; their backgrounds are polar opposites, which may give rise to the fall. There is an intentional breach, and then there is an event that never gets beyond the "almost" stage. Had it occurred it would have been the greatest of tragedies.The injured party, whether through right or the power of family and position, could have done anything he chose to his friend and betrayer. For over 40 years he could have easily sought him out, but yet he never did, he never even contemplated seeking a traditional revenge. When the faithless friend comes to visit, dinner is served with a meticulous eye for the reproduction of every detail of the dinner 42 years before. There are only two at the table as opposed to three, and yet the missing third is a tangential issue, important but not the focus. The host queries his guest about events of which he knows all the details save for one. He already knows what happened, and is comfortable as to motive. The author builds such expectations in the reader that you will wonder if the final act can possibly match the first.There is only one question, however there are two sources for the truth. The host for most of his life has held one and he has never violated the seal, his friend alone can provide the answer if the book remains closed. The resolution of the tale is brilliant. It is complex, and also beautifully logical when expressed as this one character of fiction has decanted it for most of his life. There is no written slight of hand. This is a completely new approach, a unique response to what sho

A Lost Masterpiece Rediscovered

What a magnificent novel this is, and how ironic that it lingered in obscurity for two generations after it was published! "Embers" is an entire world in miniature, a slim volume in which the author boldly takes on some of the largest questions facing humanity: what are the true meanings of words such as loyalty and friendship? And revenge...41 years after their last fateful meeting, two old friends eat dinner together in a Hungarian castle that is a relic of another age, when Vienna was the centre of Europe and young men waltzed with their girls to the hot new tunes of Strauss the younger. A world war has ended that age forever, and a second and even more terrible conflict has just begun. But for these two men, the world around them means little. Far more important is the reality of what happened four decades earlier, and whether a terrible act of betrayal took place. The author uses the devices of swift scene paintings and extensive monologue to expertly conduct the reader through the story, and the result is a truly unforgettable work of fiction. The translation by Carol Brown Janeway is admirable.