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Stock image - cover art may vary
| Format: |
Audio Cassette |
| ISBN: |
1578151201 |
| ISBN-13: |
9781578151202 |
| Publisher: |
Media Books Audio Publishing |
| Release Date: |
July, 1999 |
| Length: |
N/A |
| Weight: |
Unavailable |
| Dimensions: |
7.1 X 4.1 X 0.7 inches |
| Language: |
English |
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Fathers and Sons (Classics Collection)
by Ivan Sergeevich Turgenev
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| $3.99 |
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Turgenev's timeless tale of generational collision, in a sparkling new translation When Arkady Petrovich returns home from college, his father finds his eager, naïve son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought home with him. A self-proclaimed nihilist, the... Read more
Turgenev's timeless tale of generational collision, in a sparkling new translation When Arkady Petrovich returns home from college, his father finds his eager, naïve son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought home with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father with his criticisms of the landowning way of life and his determination to overthrow the traditional values of contemporary society. Vividly capturing the hopes and fears, regrets and delusions of a changing Russia around the middle of the nineteenth century, Fathers and Sons is Ivan Turgenev's masterpiece. Read less
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5
5
Customer Reviews
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Still modern after all these years |
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Posted by Doug Vaughn on 12/14/1999 |
In Turgenev's Fathers and Sons, as in most of Chekhov, nothing much really happens. People talk a lot and that's about it. Should be dull, right? But it isn't. The talk, and the characters revealed, reflect the profound changes that were being felt in Russian society at the end of the 19th Century; changes that would set the stage for much of what was to happen in the 20th Century. But more important to a modern reader, the ideas and the real life implication of those ideas are as current and relevant as when Turgenev wrote. Bazarov, the young 'nihilist', sounds just like the typical student rebel of the 60's (or of the Seattle WTO protests just recently). He has the arrogance and the innocence of idealistic youth. He is as believeable, and as moving in his ultimate hurt, as any young person today might be confronted with the limitations of idealism and the fickle tyranny of personal passion. I loved this book when I first read it as a teenager and I enjoyed it even more on subsequent rereadings. It makes the world of 19th century Russia seem strangely familiar and it gives many a current political thread a grounding in meaningful history.
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Posted by Biblibio on 11/22/2007 |
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I think the thing I enjoyed most about "Fathers and Sons" was that it was short. The great Russian classics we generally think of are "War and Peace", "Crime and Punishment", etc. These are all long, drawn out books. "Fathers and Sons", thankfully, is short(er), with fewer characters and less confusion as to which person is which, especially since few have similar last names. Confusion does arise between Nicholas Petrovich and Paul Petrovich, his brother. There it is important to remember who is who, but luckily, their personalities are very different and it becomes clear very soon. Another thing that is nice about "Fathers and Sons" is that it's different. It is not a book of great dramatic fighting (though there is one). It feels human and realistic. All the characters have both virtues and flaws that are easy to relate to. The ending is sad, but at the same time it is happy. It doesn't feel over-done, and I especially liked how the romance stuck in was sweet and not too out-there. The book also reflects the difficulties Russia had during that period of time. Things were changing and some didn't welcome the change as much as others. Things that had once been acceptable became strange, and the people who believed in the old things became outdated. This book shows the concept of a generation gap beautifully while maintaining an interesting plot and characters. I recommend it, partially because it's simply a good book, and partially because it shows that not all Russian classics must be long, drawn-out, and with lots of complicated names. Turgenev, who came before Tolstoy and Dostoevsky, will hopefully remain with them on the literary level for a long time to come.
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Posted by Virgil on 07/31/2002 |
Turgenev's Fathers and Sons is a timeless novel. Set in mid-19th century Russia it follows a few weeks in the lives of two young men, Arkadi and Bazarov. Turgenev sets the characters beliefs against each other and against themselves. Fathers and Sons operates on many levels, a story of generation vs generation, of ideology vs love, new vs old and friend vs friend. Turgenev takes the pair on a journey through rural Russia. Each stop along the journey sets up the scenario for the tensions and revelations of the characters. The character of Bazarov is one of the most vivid characters in literature. The timeless representation of a brash bright young man ready to teach the world everything it's doing wrong. When Fathers and Sons was first published it caused outrage on both the right and the left in Russia. Both sides believed their characterizations were overdone and many never forgave him. Fathers and Sons is highly recommended. Easily one of the best novels I have ever read.
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Posted by Rykaine on 07/19/2003 |
The one factor that keeps being brought up in other reviews is the apparent lack of plot. A key point is not being brought in; the nature of Russian literature is to create a socially conscious society. While American and European authors can enter whatever realms they choose and write vivid, thrilling stories, Russian novelists enter a more subdued state. Their concern is not whether their readers are on the edge of their seats in suspense, their concern is that society be made aware of the changes and problems that are arising. 'Fathers and Sons' achieves that very well, pitting old Muscovite traditions against the new Western ideas. It's not a page turner, because it isn't supposed to be. I thought it was a brilliant piece. Turgenev outlines quite clearly using only a handful of characters just how opposed the two sides of Russia are. And in the end, he makes very clear that one will have to give. The story is made better because Turgenev shows no favoritism. He carries out his job as an author to the letter: to present the problem, without offering the solution. That is for the reader to decide. And as the book draws to a close, the reader is left wondering, 'Which direction is better?'
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There are feelings. Everything depends on them. |
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Posted by A. G. Plumb on 06/13/2004 |
This is such a wonderful novel about two young men returning home from University - Arkady Kirsanov and his friend, Yevgeny who is known mostly as Basarov. Firstly they stop at Arkady's father's poor farm - but he is a landowner. Arkady's father's name is Nikolai and living with him is his brother Pavel. What contrasts we immediately meet - Nikolai whose wife has died (Arkady's mother) but who is living with one of the local peasant women (Fenitchka) and has a son by her, and Pavel whose playboy life collapsed when the princess he hoped to marry rejected him. So here we have two young men with all the potential of their living beings contrasted with Nikolai and Pavel and their strange life outcomes. What complicates the matter is that Basarov is a nihilist - someone called him the first 'angry young man'. He is cynical and argumentative - prepared to accept Nikolai's simple innocence and honesty in living, unprepared to tolerate Pavel's Anglophile airs and graces. The young men move on to Basarov's parent's place (simple folk living a traditional old age) but on the way meet Madame Odintsova - quickly called Odintsov (presumably because she is widowed). They spend some time with Odintsov and we learn her name is Anna Sergyevna. Anna lives with her younger sister Katya and and older aunt. The contrasts are once again evident. Anna has no feeling for Arkady at all and quickly Arkady and Katya become friends as Anna and Basarov fascinate each other. But Basarov is appalled at his romantic feelings - not what he expects a nihilist should experience! And when Odintsov's flirting causes him to express that love he has to flee to his parent's place horrified by what he has felt. But he is no more at home with his parents whose love and affection overwhelms him, so the young men return to the Kirsanov's farm, stopping briefly at Odintsov's country residence where they are not really welcomed. However Arkady, home again, is ill at ease and has to return to Odintsov, leaving Basarov behind. What happens at Odintsov's residence is perhaps not unexpected, what happens at the Kirsanov's farm - with Fenitchka and Pavel is remarkable. Eventually Basarov joins Arkady at Madame Odintsov's before returning home. The outcomes I will leave to Turgenev. As a mid-fifties person myself I can readily identify with Nikolai and Pavel who see themselves as old, although they too are only fiftyish. But we all have memories and I can see myself as Basarov and Arkady - in some ways each of them, but in no ways entirely either of them. While, as a young man, I too had ideals (anarchist rather than nihilist) that I used to obscure other things in my life, subsequent experiences in my life have lead me to regret that path my life took for a while. Turgenev's outcome for Basarov is entirely in accord with my view. But what then of Pavel? Perhaps the most extraordinary thing for me about this beautiful novel is that at the end - but not during the novel - I loved each and every one of the characters. The title of this review is a quote (p203 Konemann edition) and it is my feelings that are immensely positive from reading this book. Other recommended reading: For a non-Russian view of Russian people read 'Under Western Eyes' by Joseph Conrad
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