The Elements of Style, Third Edition

Many books about writing are huge, but "The Elements of Style," the best of them, is extremely short: 92 pages, including index. Read them all. Briefly and vigorously, Strunk and White will tell you, for example, when to use (and not to use) commas, which words to avoid, how to divide paragraphs, and generally how to pare your writing down to essentials. Many professional writers advise reading Strunk and White cover-to-cover once a year. If you do any regular writing, of letters or anything else, then follow that advice.

I bought my first copy of THE ELEMENTS OF STYLE nearly thirty years ago, when I was 13 years old. It cost me one dime, in a thrift shop. That is still the best dime I've ever spent.

THE ELEMENTS OF STYLE is indispensable for anyone who wants to write. It distills the essence of writing clear, direct, logical prose. I read it four times a year; in addition, I read it again whenever I am about to begin a large writing project. This book has shaped every word I've ever written, and it has taught me more than I can say about life. That may sound weird or idiosyncratic, but it's not -- for the principles that guide the writing of clear, direct, logical English prose are the same principles that guide a life of integrity and commitment. Writing honestly and clearly is the surest path to living honestly and clearly.

Buy it, read it, reread it, live by it. You won't be sorry.

When I write a book I use only a handful of reference tools: dictionary, thesaurus, Gregg's Reference Handbook, Writers Market, and the Elements of Style. Strunk and White is a wonderfully-written, extraordinarily concise tool that pays homage to classic high-end English. It takes language insight to make this prediction in 1979: "By the time this paragraph makes print, uptight... rap, dude, vibes, copout, and funky will be the words of yesteryear." The book begins with eleven "Elementary Rules of Usage," and then continues with eleven more "Elementary Rules of Composition," and eleven "Matters of Form." Each is presented as a brief statement followed by another sentence or two of explanation and a few clarifying examples. This amazing compilation fills only thirty-eight pages, yet covers ninety percent of good writing fundamentals. My favorite section is Chapter IV, a twenty-seven-page, alphabetical listing of commonly misused words and expressions. Here's a trade secret: when my manuscript is "done," I then turn to this chapter and use my word processor's Find function to study every instance of all these problematic words and phrases. I never fail to find errors this way. Many great writers are so only because they've learned to make use of the best available tools. The end of the book contains an essay on "An Approach to Style" with a list of twenty-one "Reminders." Those who fight the apparently-natural tendency to go against these recommendations succeed as writers. Those who don't, fail. It's that simple. The single drawback of The Elements of Style is that it's too concise; it does not stand alone as an all-encompassing tutorial or reference guide. Many readers will seek other sources for more in-depth explanation of style elements. Despite that, it easily replaces ten pounds of other reference material. --Christopher Bonn Jonnes, author of Wake Up Dead.

As the 'rules' in this iconic book take up only 14 pages, it continually amazes me how often I can find the answer to a grammar or punctuation guestion within those pages. It doesn't cover everything, and some of the 'rules' are of course changing with the passage of time - but if a wannabe writer can't afford a whole bookcase of tomes on How to Write, then this is the one he or she should buy.
Beyond those 14 pithy pages, however, are another 100 or so that extend the value of the book immeasurably: Principles of Composition, Commonly Misused Words, and perhaps the most valuable: An Approach to Style, which gives excellent advice along the lines of Do not overwrite, Avoid qualifiers, Don't over-explain, Avoid adverbs, Avoid dialect, Don't inject opinion, and tons of others.
When all's said and done, however, one of the very best parts is a wonderful essay by the inimitable EB White himself - the Introduction, which serves as a perfect example of all that the rest of the small book preaches: write concisely, clearly, and well, and say something worthwhile.
Other books for writers to consider: Bird by Bird, On Writing, and Writing Down the Bones.

While skimming through Stephen King's book ON WRITING, he highly recommended THE ELEMENTS OF STYLE. Taking his advice I searched for a copy and found one in a free bin--of all places! I looked at it and decided that it was so much better than any other textbook that I had seen that I decided to WRITE IT. Three pages a day for a month or so. It's a very short book, only about 80 pages or so. You learn everything from words that are often spelled wrong, to punctuation, to style, etc. Very blunt and to the point. No exercises in here, problems 1 - 10 all. Nope, you just read this book and enjoy it. Why, there's actually a little humor in it at times, which is pretty good for a textbook. Now I've heard some people say that this book is bad because it is saying to follow all these rules and don't stray from them. I think they got it all wrong. This book is essentially saying this: you can't blaze new trails in the English language without having a solid foundation in the basics first! This goes for ANYTHING. You don't suddenly set off an a 200 mile trek, you slowly work up to it, starting from the basics. After you have mastered the basics, then you can break free. One thing that this book continually points out is that it is OFTEN A MATTER OF EAR. Meaning that if you are experienced enough, you will know whether to stick to the traditional or whether to be liberal when phrasing something, for example. By far this is the most talked-about textbook that I've seen and the most valuable.